Discover Your Inner Princess in Carcassonne: Redoubt of the Ancient Cathars
04 Wednesday Feb 2015
Posted French culture, History, modern life, romance, self-discovery, travel
in04 Wednesday Feb 2015
Posted French culture, History, modern life, romance, self-discovery, travel
in23 Friday May 2014
Tags
1956, Black is Not a Color, book signing Doncaster Boutique, Bridget Jones, Bridget Jones' Diary, Carrie Bradshaw, fiction, Greenwich authors, Hungarian, Hungarian uprising, Hungary, local authors, Paris Adieu, Rozsa Gaston, Sex and the City, Translyvanian, Transylvania
Many authors, when looking for subjects of the most emotional value, turn inward to their own lives as a jumping off point. And that’s just what Greenwich’s Rozsa Gaston has done in her latest novel.
In Black Is Not A Color (Unless Worn By A Blonde), Ms. Gaston writes of a young woman reconnecting with her father after many years of estrangement. In this story, Ava Fodor is a woman with a thriving career and a budding new romance who was not raised by her father only to find herself having to take care of him over the course of the final year of his life. Despite not knowing her father, and having all the resentment and confusion that comes with that, Ava finds herself drawn to the eccentric Transylvanian/Hungarian man with his passion and zest for life even as it slips away.
“It doesn’t start that way, but this is a book that ends up being about elder care,” Ms. Gaston told the Post in an interview last week. “That’s not a very sexy subject, but it is an extremely topical one and this is definitely a book for Baby Boomers to read and also for those younger than Baby Boomers who are going to be facing this down the line. This is about caring for an aging parent who didn’t raise you as a child. That changes the conversation. Her relationship with her father is she’s just discovering him for the first time as a 30-year-old woman and he’s from a completely different culture.”
Ms. Gaston indeed drew from her own relationship with her father for the book but only in a loose way. It might be the genesis for the story, but it quickly goes in its own direction.
“My father was a Hungarian/Transylvanian refugee from the 1956 Hungarian uprising and I did not get to know him until I was older,” Ms. Gaston said. “I met him when I was about 16 and I wanted to work through feelings about our relationship. Writing the book ended up being a wonderful eye opener for me to realize how much my father actually did give me and how satisfying it was for me that when he did die I did the right thing. I might not have done the best job of doing the right thing, but I knew I did the right thing. I wanted to share that journey and writing this book allowed me to develop a deeper appreciation for my father.”
In the book, while Ava finds herself trying to relate to someone she doesn’t know and who comes from an entirely different cultural frame of mind than she has, she also has to struggle with the feelings of abandonment she has always had toward her father while finding herself drawn to him and his unique style. The more she learns about him the more she relates to her father which makes things even more difficult and that’s before life further complicates her romance…but to find out more you’re going to have to read the book which is available at Amazon.com and can also be ordered from Rozsagaston.com.
“The great thing about this book is that there’s progress between Ava and her father and the reason there’s progress is that her father is very forgiving,” Ms. Gaston said. “He didn’t parent her and she’s his only child so he didn’t parent anyone and he knows he was not a father at all. So he forgives her for whatever she says to him and how she acts toward him. He just wants to get to know her because he does love her and always has loved her.”
This book, which was first released in March, is a sequel to Paris Adieu, which had Ava living as an au pair coming of age in Paris. The romance between Ava and Pierre that began in the first book is a major theme in this new book. Ms. Gaston is quick to compare her lead character to widely known characters like Bridget Jones or Carrie Bradshaw in Sex and the City in that she’s no saint and can be a complicated person, but is someone readers want to root for.
“As soon as I finished Paris Adieu, I realized that Ava took on a life of her own and that I owed it to her to continue her story,” Ms. Gaston said. “And I owe it to her now to also continue her story through another book if not more.”
That book is still in the planning stages but Ms. Gaston is eager to get to work. A driven writer with several books to her name, Ms. Gaston said she loves to think ahead. Her next book, Sense of Touch, is inspired by the famed The Lady and the Unicorn tapestries at the Cluny Museum in Paris. No one has ever definitively sourced who the women are in those tapestries, which date back to the 1490’s, and this story is a historical fiction exploring that mystery.
However that story might have to wait until 2015 as Ms. Gaston is planning on having her sequel to Black Is Not A Color done by the fall.
“I can’t stop and I don’t want to,” Ms. Gaston said. “The projects keep coming to me one after the other.”
But she will stop long enough to sign copies of her book this week. Tomorrow, May 23, from 5 to 8 p.m. at the Doncaster pop up boutique at 219 East Putnam Avenue in Cos Cob, Ms. Gaston will be on hand for a book signing. Details below.
21 Thursday Feb 2013
Posted fitness, health, self-discovery
inTags
Ava Gaston, circus school, Club Med Punta Cana, Dominican Republic, exercise, fitness, flying, Paris Adieu, Rozsa Gaston, Running from Love, self-actualization, self-discovery, timing, trapeze
Attending trapeze school at Club Med Punta Cana in the Dominican Republic last week gave me a chance to be extraordinary. Give yourself a chance to be extraordinary too. Join me here on the adventure of the trapeze then move in your own direction and find your own moment to be extraordinary.
Let’s walk through the steps for our beginning trapeze experience. First, we climb the ladder.
Up on the platform, we experience our first terrifying moment, especially as the platform sways in the wind.
Immediately two cables are hooked onto either side of our tightly cinched safety belt. We have a brief second of relief followed by another moment of sheer terror when the instructors tell us to let go of the cable with our right arm, lean forward out into space and grab the trapeze. This horrifying moment is then magnified one hundredfold by the next command. “Let go of the cable and grab the trapeze with your remaining arm.” Once you’ve accomplished this, you are committed.
Ready?
I wasn’t either. The instructors tell you to hop off the platform the moment they say “Hep!” What nerve! Of course I did no such thing, so you can imagine my shock when they then pushed me off the platform. HELP!!!!
Here I look lame as I basically hang on for my life. The next task is the most difficult of the entire exercise. At the EXACT moment the instructors yell “tuck!” you tuck your knees up to your chest and try to get your toe under the trapeze bar.
Once you’ve accomplished the toehold, you’re golden. After two rounds of severe humiliation, I managed the toehold on my third attempt. What a great feeling!
Once the knees are hooked on, you think you have pretty much accomplished everything you need to do for the rest of your life. But just when you are feeling fabulous about yourself, the instructors yell “Hands off bar and swing!” What cheek. As if I hadn’t already done enough. After the terrifying second when you let go of the trapeze with both arms and realize you are not dead, this is your moment to look even more fabulous than the less glamorous knee hook moment. Here I am pointing my fingers in order to make my accomplishment look even more technically sophisticated.
This is truly the moment to take wing like a swan, so let’s review that very first image again as I soar backward and arch my back. Do you see how masterfully I’ve managed to point both index fingers? Sheer genius, no?
The next incredible accomplishment is the back flip dismount. Yes. Really. The instructors yell at you to kick your legs forward, backward, then forward with force and let go of the trapeze. Again, what cheek. A formidable back flip ensues, thanks to the instructors pulling on your cables, and voila! you end up on the safety net, hopefully in a respectable standing position.
After you again realize you survived and are now on your feet, you dismount the safety net with a neat forward flip that looks fairly impressive.
On solid ground again, your body literally shakes with pride of accomplishment. Or happiness to still be alive. Not only are you alive, but you are blissfully alive. Enjoy!
Playfully yours,
Rozsa
Author